Last Spring I got that e-mail
That uber message we look for in our otherwise boring Inbox.
The one that says:
We have been following your work with beach plastic pollution, we love it, would you be interested in being featured in a movie we are planning?
Looking for a hidden sales message? Like the next line would say: If you take part in this short questionnaire you too can be captured on film.
You bet! I did not trust it. I proceeded with caution.
It was not until I had spoken with all the makers of the film, the creative director Sean, the producer Michael, the director Jason and had signed a non-disclosure with Barefoot Wine (to keep it all hush until the premiere, hence no previous mention here at BDM) that I became excited.
They wanted to shoot in Eleuthera, where I find all my beach plastic, and so I sent them the limited list of places in Governor’s Harbour. Three low-key hotels, Cigatoo, Pineapple Fields and Coco Di Mama, and a handful of rentals that have 5+ bedrooms.
They chose Squires Estate.
I had always wanted to stay there, ever since it had been restored two years ago. Alastair and I even looked at the main house when it was on the market. Its a dream property, on the hill, a 120 year old Victorian House, overlooking Cupid’s Key, walking distance to Club Med Beach – the most beautiful beach I know.
They booked me for four days early June. Two travel and two shooting.
“Bring your tools and your favorite designs, we’ll do the rest.”
If the camera added ten pounds then it was the time for a diet.
I did a two-day fast, a nine-day shake/powder regimen and swam a million lengths of the pool.
I departed, lithe and pre-tanned.
First to arrive, I chose the ground floor bedroom of the main house because it was the most private, like a mini wing, overlooking the pool and the Caribbean sea to the west. Everything was new, done by an Italian designer with exquisite taste, who’d mixed old with high-tech, quirky with traditional.
I got my old red truck from the garage.
I was already happy.
A few hours later the crew arrived. Curt, Sean, Jason, Michael, Scotty and Tyler.
Six surfers from California.
Had I died and gone to heaven?
OK. Yes! I am happily married. I’m a mother of three. I’m not young as such.
But hey, I’m still a woman!
I had an eery feeling – after years of being a service-driven mother, feeding, cleaning, chauffeuring, organizing and wondering (within the safety of my own head):
What about me?
A dawning sense that maybe someone (who can hear beyond the safety of my own head), had been listening, that somehow I had been good enough, that getting attention was actually allowed when you try your hardest to be a good wife and mother and employee and world citizen…
And I let go.
This was going to be about me (and my obsession with beach plastic) and it was OK.
Those six guys were awesome, I don’t know much about them beyond those four days, but they were easy going, considerate, creative, charming, talented, professional and funny, so funny…
They made it possible for me to be me. To do my work, make my stuff, tell my message without ever making me feel self-conscious or insecure. At least three cameras captured me at work for at least 24 hours. It felt natural. It felt great. I felt beautiful. They helped me believe that what I was doing was worthwhile.
I wanted it to last a bit longer.
Still, we dispersed. They went on to do the next “innovator”, Tim in Australia, and I was just a tad jealous.
But I mainly felt empowered. Things were falling into place. back home I was asked to apply for the Miami TED talk. I went on my teaching trip around Eleuthera.
Last night I saw I Don’t Know How She Does It with my three daughters. I had read the book at a time when I identified with the author, when I was the overcommitted mother of three little girls who felt she had to do it all, or else…
Leila wanted to know if I had ever felt like Kate did in the film.
You mean, like, I Don’t Know How I Did It?
My daughters are now eleven and fifteen. I asked if they remembered when I was the Mother with a Career in NYC.
They don’t remember that I went to Hong Kong for two weeks over Christmas when they were six months old, nor being in day care at age two because the latest nanny had disappeared without trace while I worked on 7th Avenue three days a week (living in Milford,PA). They don’t remember my equivalent of Kate Reddy’s bake-sale angst amongst the zealous fundraising stay-at-home mothers of the Homestead School.
Its great to find out that it it did not matter. That they are fine. More than fine. That I can forgive myself for those perceived shortcomings, that getting off the fashion merry-go-round to have more time at home with them was a good choice too. That feeling out of it and disconnected and fat and dumb maybe was just a cocoon, a small, limited space, where the next incarnation of me could shape itself.
Of course we always are exactly where we should be.
This is easy to see with the gift of hindsight, like looking at an old photograph and wondering why you did not really enjoy the way you looked back then.
When I first saw One Beach I felt that I was exactly where I should be in the big picture of life.
Thank you all Barefooters for making this possible.
Jason Baffa, Scotty and Tyler for making me look good.
Michael Pizzo for producing and Curt O’Brien for setting it up.
Sean O’Brien for his creative foresight and green spirit that gave birth to the idea of One Beach.
And of course the entire Barefoot Wine team in California and New York that worked so hard to pull it all off in time for the premiere in NYC last week.
We were all there.
In New York.
The team that made One Beach and the people it featured, called The Innovators in the film.
Kevin Cunningham, a surfer from Rhode Island who incorporates beach plastic in making surfboards from recycled materials.
Richard Lang and beautiful Judith Selby Lang, the king and queen of beach plastic, fell in love on their first date while combing Kehoe Beach for plastic debris. They incorporate beach plastic in their art from installations to photography and jewelry.
We watched the first screening together, wept at the end, and were all amazed at the synergy between us, four people who have never met, in three different parts of the US, who collect and work with beach plastic and whose dialog and message has evolved in an eerily similar way without ever speaking to each other.
We also had beach plastic envy as we drooled over pieces in each other’s collection.
The premiere was at the Helen Mills theatre in Chelsea, with a live feed to our own Facebook app where over 5000 people had signed up to watch the film and subsequent Q and A online.
Sitting in the director’s chairs, below ground in NYC, taking questions that Tyler, our MC, received on his Ipad from Facebookers all over, had a surreal sense of opportunity, the feeling that when we all connect we can make a difference.
Below is the One Beach film, which we hope will help raise awareness of beach plastic pollution. Numbers just released estimate that six million tons of what becomes “marine debris” (non organic material that does not break down) enters the oceans every year. One Beach has a positive message, it is upbeat about creativity and possibility, but none of us have the illusion that just selling up-cycled beach plastic into ownership can significantly reduce what washes up on our beaches every day with every tide and every wave. We want to connect to people through beauty, and our message is to for everyone to reduce our plastic foot print (300 pounds per person every year) NOW by saying no to single-use plastics.
Tip: Start with refusing bottled water and plastic shopping bags, relatively easy steps, then pick an alternative material every time there is a choice…
Here are Sean’s pictures of the making of One Beach in Eleuthera: link