Barbi Does Miami

mostly from my oxymoronic years between Miami and Milford


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The Art Basel Circus is Coming to Town….

OK.

So.

Once a year the art-circus comes to town, given legitimacy because the prestigious Art Basel, as in Basel Suisse, as in most uptight city/country in Europe, is behind it. I’m sure its been asked before, but surely Basel and Miami in the same breath are an oxymoron?

Anyway.

It all started with Art Miami and then Basel came and then everyone who is anyone in the art world followed. And then the design world… for catching some rays before settling into the long dark northern winter? Who knows. They, the art world, thought it was an excellent idea, and so now there are many, many satellite shows. One is called Scope, one called Pulse, one called Red Dot as in SOLD (so you cant have it), one called Nada, and    so    on….

Now, you may remember, last year husband and I were Art Basel Miami sluts, like we didn’t care, we hung with every and anyone, at every and any party.

BUT.

I must speak for myself when I say that, even though I enjoyed the unbearable lightness of it all, I wanted a bit more green, as in Green. Like some art that dealt with issues of the planet? Was that too much to ask? Like a bit less stuffed deer and doe and fawn, less Michael Jackson likenesses and a bit more Chris Jordan?

So. As Basel approached this year, and I sat  assembling beach plastic tee after beach plastic tee, which gives me a lot of time to think since its manual labor, I thought to myself….. I should be at Basel… like Barbi does green, or blue, at Miami Art Basel week.

Well.

This year has been the “Year of Be Careful What You Ask For”, for me (after three years of getting shit I did not ask for). Like I wished to be in Barneys and they called me for 900 tees, driving me into beach plastic nervous breakdown. I think Barbi does Basel (yes that blog title I shall use next week), and low and behold, I get a call….

Thirteen days before the show!

But I said yes.

YES. YES. YES!

So.

I committed to showing.

At Arts for a Better World.

Sounds good doesn’t it? Sounds like it could be me, no? I mean who cares about art if its not for a better world?

Isn’t one definition of art that it gives the beholder a sense of hope, of seeing and experiencing a whole new emotion? A new paradigm, a moment of connection to the divine? The divine in another human being who somehow connects for a moment to what is true and enlightened and real? And isn’t the divine a moment of connection to our spiritual origins? And does nature not have something to do with this?

So. A better world through art sounds good to me. Thats the place I want to be.

Fuck the brands like Gagosian and Marlborough, aren’t they just like out of control Wall Street brokers?

OK. OK. I’ll shut up. Before I dig myself in too deep.  No, I do not claim any superiority  or connection to the divine. I just want to experience more. Like  something I haven’t done before. I want to feel good not poor. I want to feel part of something not inferior. You know what I mean?

For now that’s all you get. I’m busy you know. very very busy.

But.

Stay tuned.

I will record all right here. From the day I start, Sunday, and build my amazing recycled installation and somehow move into it.

Here’s the name of the installation and an idea….of what’s to come:


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Tutus and burkas are forever…

 

whoops too short

 

At eight this morning Iona called from school.

“Mom, you have to bring me jeans, my short shorts are too short.”

Hello! When I saw her at 6.30 in the kitchen I thought she’d forgotten her skirt. But, this being a common thought, it slipped away without becoming another sarcastic remark, we were late for the bus, I hadn’t printed her essay nor sick note, panic ensued and my opinion on dress code was forgotten by the time we met up in my (still dark at 6.30) car.

Yes, DASH has a dress code. Its tolerant, but does require a certain amount of body coverage.

So.

At 8.45 I arrived, bagged jeans in hand, and told the dear woman at reception that my daughter had been nabbed by the DASH fashion police and here I was; bringing her Burka.

Don’t you hate it when a good joke goes to waste? It was a case of flat ears.

Now rewind 12 hours to 200 yards across the street from DASH at the Moore building in the Design District, 5- 10 pm yesterday evening.

Burka’s crossed my mind then too.

I was there selling tutu’s. My original princess-dress tutu’s.

(I don’t mean to confuse you, yes-yes I work with beach plastic now, and not tule).

But I confused myself. I mean what was I thinking when my friend Francesca told me about a giant sample sale fashion event called Sassy City Chicks?

Fate, I thought.

Tutu* destiny calls, I thought.

*Aside – I keep a “past lives storage unit” in Milford, across from ACE hardware. Last summer I was getting two tutu dresses from my previous Baby Gordon collection (in storage for ten years) for friends with brand-new baby girls in their lives and, in an inspired moment, thinking that Miami was the perfect market to get rid of my tutus once and for all (those princesses in the making) I UPS-ed two boxes down to our candy land bachelor pad.

 

my chic display for young miami princesses...

 

Little did I know that  the crowd of childless  Sassy City Chicks Fashion Bashers had come for the DJ, the party atmosphere with free Smirnoff Vodka while they had their nails done, carried no cash, nor checks, only credit cards (which I did not take) and had about fifty dollars to spend on themselves, which went to an instant gratification piece of bling and not a Christmas tutu for their favorite niece.

 

tutu or bling? that was the question...

 

I took one look at these girls’ heels, cleavage and legs and thought:

I may as well be selling burkas.

Like pastel baby tutus or black burkas @ Sassy City Chicks Fashion Bash = wrong demographic!

 

Miami trend: two drinks, one for each hand. Predicament: how to shop...

 

Still, I sold six pieces. I only lost thirty-five dollars. I had free Vodka. I hung out with Francesca, who oozes Italian style, and we bitched about the fashion Chernobyl going on around us.

 

Francesca = effortless chic...

 

I met a few cool young guys who do cool young things.

I got to stay out late by myself.

But, when I left the building and had to step over the passed-out body of a young woman lying in her own vomit, I decided to put my tutus back into storage for another ten years…

 

the fashion apocalypse

 


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Barbi (so NOT India Hicks) does the Bahamas

sunset from my terrace, soon after I arrived

I went harvesting.

Harvesting beach plastic.

Not a bad job. In fact if you had to write yourself the perfect, anything goes, job description wouldn’t it go something like this?

“I’d like to work on a beach. A perfect soft, pink sand beach somewhere in the Caribbean, but Hawaii or Tahiti would be fine too. This would be a quiet beach, one untouched by development. The water would be perfect shades of turquoise, going from pale to dark, and long waves roll in from the reefs a few miles off the coast. They crash at my feet, their sounds become like my heart beat, regular and reassuring. A light wind blows off the water, carrying a salty smell that sticks in my nostrils, still there later when I lie in bed  listening to the frogs singing in the hurricane shutters. I will sleep well, because I’ve been outside all day with the sun on my back, bent over, scanning for material in the sand at the water’s edge, the ridge further up the beach caused by waves from hurricane Igor a few weeks ago, then I look along the dune, and between the dune’s grasses. My professional dress code is a bikini and a hat, even on casual Fridays. Sunscreen is my only mandatory regulation. Occasionally, when I get too warm or just when I feel like it, I wade into a particularily pretty pool and float, the waves rocking me like I was back in my mother’s womb. Curious fish surround me, a barracuda comes at me fast, but then veers away, just letting me know that he’s keeping his eyes on me. I look at the island from the water, the curve of the cove, the palm trees and casuarina’s, the cliffs, the occasional vacation home painted pink or yellow or green. Maybe my office is in one of those cottages….”

A few years ago, when I first walked the beaches of Eleuthera I became mesmerized by the bits of colorful beach plastic along the surf line, scattered and stuck in the sand. I now wonder if, at  that point (I certainly wasn’t thinking job description), fate took my hand and softly whispered, here, look down, these colored bits should not be there, they are pernicious, like poison, but you can do something, this pollution may be a future for you, a place where  all you have learned and who you are can come together with creativity and purpose…

I listened and every day since then I have used towards repurposing more and more beach plastic.

But like in a romantic dream, reality has turned that corner where the above idyllic job description foreshadows a nightmare.

The melancholy I feel when I take my first steps in the sand this time, is not just the melancholy of my memories.

(Why can memories be so melancholy?  A longing for our family time spent here, when the girls were  too young to worry about what they might be missing, like Facebook, friends, and other artificial stimulation?)

It’s not just me, there’s melancholy in the air. I can feel it all over the island. Tourist season doesn’t start for another six weeks and there is hardly a car on the road. The small shops are deserted, their shelves half-empty. The locals ask me about the American economy.

” No jobs man, when America sneezes we catch a cold,” they tell me.

Sneezing as metaphor feels too exuberant to me, what they mean is that when America holds its breath in fear, they suffocate. But I don’t say this. I just nod and tell them I know what they mean. Times are hard everywhere, I say, but don’t tell them that maybe our golden age is gone forever.

club med beach

My melancholy takes a turn towards despair, when I reach my favorite beach. The three mile long curving stretch of pink sand looks raw, windswept, covered in seaweed and caught in this seaweed is garbage. Plastic bottles, toothbrushes, crates, detergent containers, tops, cups, plates, knives, forks, spoons, barrettes, combs, beads, single sneakers, flip-flops and shoes in every size, pots, cones, hinges, signs, and I wonder, while the ancient Greeks, Romans, Incas, Indians, left us musea full of  ancient pottery, jewelry and tools, will this legacy of our plastic culture, ever be displayed and admired in musea of the future?

museum worthy?

synergy?

mimic nature?

I peel off my backpack, spread my towel and sit down. I’m surrounded by plastic. I pick what I can reach and make a pile. I feel like I’m on the edge, one step away from overwhelmed. Is it too late? Have we lost control? The way I felt when watching the BP oil spilling uncontrolled. I teeter on giving up. Whatever I do, however much of this I pick up, clean up, sort and take home, it won’t make any difference.

Still I get up.

Still I pick up.

Red. Blue. Green. Yellow. White. Black. Grey. Pink. Orange. Funny, there’s never much purple.

Within an hour I have  three bags full. I’m only half way along the beach when I run into Bob and Kathy.

“Not enough plastic here for 900 tees, hey?” Bob jokes.

I’m disoriented, like I came out of deep meditation too fast. What does he mean?

“You should have seen it just after Igor,” he says, “Its all been swept away now!”

“I don’t want to know,” I say. “There’s plenty here.”

Sometimes I find messages in the plastic:

Ironic ones to make me laugh…

if only...

Encouraging ones to keep me going…

One that reminds me to check my messages…

One to make sure I will fly home…

I spent two full eight-hour days on the beaches.

I gathered plenty but I wonder, how much is enough for 900 tees?

When I get back to my house on the cliff I sort it and clean off the sand, seaweed and algae by putting the beach plastic in a colander and using the hose of the outdoor shower.

Then I let it dry in the sun.

I’m alone with my harvest.

It looks pretty all laid out by color.

I’m no longer sad.

I feel at home and I’m happy….

for more of my beach plastic work over the past few years:

http://itsamanmadeworld.wordpress.com/

http://www.itsamanmadeworld.com/home.html


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Repurposed in Miami

Last year was a transitional year.

I realize now that, for me, last year was still transitional. From  reading my blog you’d probably  already figured this out, but I was oblivious.

I thought the previous year had been transitional and that I was out of transition and in destination. But, just because I’d moved to Miami didn’t mean that I had arrived. I know what you’re thinking, moving to a new city is always a transition, and that is exactly what I would answer, if anyone asked.

But I’d already been in a real full-blown transition since early 2008. And it felt like being stuck. Like I couldn’t go back, and couldn’t move forward. I no longer knew who I was nor who I wanted to be. My identity had always been so wrapped up in what I created and I didn’t want to go back to designing “more stuff “. My last gig had been with Pantone as the Creative Director of every licensed product that carried its logo and name. Plates, stationery, shoes, a home collection, clothes, bags, you name it. A lot of stuff… So I helped Alastair with the design of Spaced Out and started  collecting waste beach plastic. I worked it,  made jewelry from it and educated myself in the causes and effects of plastic pollution. I did a website called Its a Man made World.

And I wrote. I wrote an entire novel about a woman in transition. A woman like me, who from one moment to the next realizes that her perfectly crafted life has fallen apart, and that nothing will ever be what she thought again.

I did both in a bubble. Not a pretty, floating-on-air Californian bubble, but more like a soundproof one-way-mirror bubble, feeling unheard and unseen. Lost even.

Moving to Miami had everything to do with breaking out of whatever it was that I was in. Husband knew it, like he was aware that a change would do me, and us, good.

And it did, almost right away. (SO, for anyone who feels stuck: Move! A different city, a different country, a different job, a new house, a whole new slice of of life to explore).

But then I thought Miami Beach was just playtime, and that’s hard for me because I was brought up with a huge sense of purpose and responsibility, and here I was having lunch on the beach!

Some days it felt like I was doing the same as I did before, writing and recycling beach plastic, only in better weather, in DJ Tiesto’s bachelor pad, away from the knick-knacks of my old life… and maybe I still wasn’t getting anywhere…

The only difference I felt was a sense of patience and maybe this comes with age. Maybe  the ambition endorphins turn into patience endorphins, and for the first time ever I enjoyed the process of what I was doing, instead of being anxious about getting to the pay-off: money, attention, a good review…

I added some beach plastic clothes and called the collection Plastic is Forever. I got a small order for scarves from Base at the Delano, which lead to picking, cutting and drilling the beach plastic and finding the local women who would sew it on silk georgette for me. I enjoyed meeting them, Lucia and her mother, at Normandy on Saturday mornings and buying organic vegetables and flowers at the market afterwards.

I enjoyed doing the Barbi does Miami blog, not only did writing about being here help me redefine who I was , but I also connected to my readers for the first time. I made friends with people I’ll never meet. This, for me, is the joy of writing. Not the sitting alone at a desk for hours on end, losing all sense of time, like passing through CS Lewis’ closet, entire days disappearing into what feels like an hour. I don’t like that aspect of writing. But I love the dialog. The ability to create a connection, a shared experience, a feeling that we’re never alone in what we go through and how it makes us feel…

But this year is different. I’m working manual labor in Miami. I have to produce 900 tee shirts for Barneys New York, using organic blanks from Loomstate. And 900 tees is about 35,000 pieces of  beach plastic, and about 50,000 drilled holes! Its a group of women beaders who need 50 kits every week between now and end january, and I’ll have to provide those. I’ll be working hard and I love it.

In fact. I think that…

I’m a bit like my beach plastic.

All that plastic I collect had purpose in a previous life, be it a bottle top, a crate, toothbrush, hair clip, spoon, detergent container, cup, plate, comb,  or any one of a million other things. Then it was useless. Discarded. It tossed around for a bit. Sand, sea, sun, salt even coral. Then it started to look good again. And now this patina-ed beach plastic has a whole new life as fabulous adornment on Barneys tees that’ll sell to green fashionistas for one hundred and thirty five dollars.

So.

I too feel repurposed and it feels good…

and there will be black and white...